HOT TRIGGERS by Paul Evan Lehman

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Bill Serviss is a ruthless, gun-fast ranger…his Colt .45 blazing hot justice against the toughest outlaws in the west.

The most feared man in town was Cleve Morley, proprietor of the SIlver Saddle Saloon. He ran the ranchers and he ran the prostitutes. But he couldn’t run Bill Serviss, the lustiest, hardest driving ranger in the territory. Now their conflict is about to erupt in a bloody battle that only one of them can survive.

Previously published as Passion in the Dust

WILD BLOOD by A.C. Abbott

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A brutal, relentlessly hard-boiled, western classic, back in print for the first time in seventy years

Jim Dixon returns to the Arizona town he fled years ago after killing a man in a gunfight… the brother of the woman he loved. Now Jim’s father needs his help fighting a bloody range war sparked by that same rancher’s family, who are power mad and land-hungry. The dangers Jim faces are deadlier, than he ever imagined…and more than he can handle with just his grit, his guts and his Colt .45

“The author’s ability to create complex and interesting characters and spin this yarn in tough, very fast-paced prose lifts WILD BLOOD from a run-of-the-mill traditional Western to an excellent novel. I found it really entertaining and compulsive reading, ” James Reasoner, Rough Edges Blog

BY FLESH ALONE by March Hastings

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Lila’s husband could not satisfy her so she rejected him – not for another man, but for a woman. A lesbian pulp classic, back in print for the first time in sixty years!

This is the story of Lila, who has been married for some years…to a man who doesn’t seem to desire her. In frustration, and desperate for physical release, she leaves her husband, turning first to a woman who was once her lover. Her lesbian passions reawakened, she leaves her old lover and seeks new excitement, and a fullfilling relationship, with another woman, a bold, self-confident, moody painter. But to Lila’s surprise, despite her love and attraction to the passionate artist, she still feels a deep, emotional pull to her husband.

This is a story of one woman’s struggle to find happiness, love, and her true expression of her sexuality… written in a time when lesbian relationships were considered unnatural and perverse.

ABOUT THE AUTHOR

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks..

BRANDED by A.C. Abbott

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“Grade A” New York Times

Rock Kendall is a wanted man, framed for killing a woman, and is intent on clearing his name while being pursued for the big bounty on his head. He has to find Ash Carlton, who committed the murder and has sent killers of his own after Rock to make sure the truth never comes out. Along the way, Rock helps a young, female rancher battling rustlers…which not only complicates his pursuit of vengeance but puts his life in even more danger.

“BRANDED is really hardboiled. Rock Kendall gets shot, stabbed, punched, kicked, and knocked out more than once in the course of this book, but he absorbs all that punishment and keeps coming back stubbornly for more as he tries to clear his name and avenge himself on the man who betrayed him. An excellent writer.” James Reasoner, Rough Edges Blog

“A.C. Abbott welded together drama, suspense and romance and came up with a different touch of cowboy stories that will captivate the reader to its entirety. The climax is the greatest of all western epics.” Lubbock Avalanche-Journal

“Seethes with strife and killing, BRANDED is a lively western, culls the villain in pages of swift-moving plot that involves woman-killing, cattle-rustling, and romance.” The Cedar Rapids Gazette

“If you like your books filled with roaring six-guns and continuous action, BRANDED will fill the bill.” Lansing State Journal

“A dramatically satisfying novel of western in cattle-land. Abbott’s prose has a sprightly quality that will satisfy the most discriminating reader. An interesting story, thrill-packed to the final page.” The Dispatch (Moline, Illinois)

ABOUT THE AUTHOR

A.C. Abbott was the pseudonym of Helen Abbott Meinzer, who wrote 70 stories for western pulps in the 1930s and 40s, and died in 1963 in her mid-forties. She only wrote two novels, WILD BLOOD and BRANDED, both of which have been reissued by Cutting Edge.

THE THIRD THEME by March Hastings

Amazon.

Rediscover this sizzling, emotionally powerful, lesbian pulp classic, scandalous in its day, back in print for the first time in nearly sixty years

Sharon Porter is a single, Manhattan book editor in the midst of a turbulent affair with her boss. But at a writer’s party, Sharon meets Leda, a married woman who is fighting her true, sexual nature. They immediately feel a powerful attraction, one that can’t be denied. It’s tormented bliss. But then Leda’s husband discovers their affair. So they run off to Sharon’s home town, desperate to experience their passionate moment in time, to explore the possibility of a different kind of life, before the world falls down on them for indulging their forbidden desires…

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

NAVARRO by Carse Boyd (aka David Stacton)

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“The characters are boldly drawn and interesting, and Boyd writes with real style. One of the best westerns of the year. ” Daily Oklahoman

In the mid-1800s, banditos swarmed into Arizona and Texas from Mexico, driven by the poverty and despair of a divided country, and terrorized homesteaders, ranchers and Indians, looting, burning, raping and killing. Navarro and his band were the worst of the banditos. No ranch, gringo or Indian was safe from his savage cruelty. But that changes when Navarro brutalizes and kills Sis Henshaw. Now her furious brothers are chasing after him, hell-bent on violent and total retribution….and Navarro is discovering what real terror feels like.

“For those who like them fast-moving and brutal. It’s excellent!” San Angelo Times

“Carse Boyd” was a pseudonym for David Derek Stacton (1923-1968), an acclaimed American poet and author, under various names, of literary fiction, historical novels, and soft-core gay porn. He was a two-time recipient of a Guggenheim Fellowship and also received a Literature Fellowship from the National Endowment for the Arts. His work ranged from lurid tales like D is for Delinquent to a non-fiction book about the fall of Constantinople. His books under his own name include The Bonapartes, The Judges of the Secret Order, A Signal Victory and People of the Book: A Novel of the Thirty Years War. He died in Denmark in 1968.

PRAISE FOR DAVID STACTON (aka CARSE BOYD):

“A stylistic virtuoso, matching on the typewriter the lightning flashes of such musical masters as Paganini on the violin,” The Chicago Tribune

“John Banville comes to mind as an author who so easily switches gears from fustian to fetid…it is fascinating to watch Stacton working out in the noirs the kind of novelist he would become. From the beginning, Stacton is drawn to a certain kind of person, the kind who is the ‘victim of the propulsive force of his own character.'” Los Angeles Review of Books

“The prose of David Stacton is like that of no other writer. It suggests a corridor in a dark Gothic tower, ill-lit by tapers, at one end of which a gong sounds incessantly.”Time Magazaine

“The most unjustly neglected American novelist of the post-war years, David Stacton’s ambitious high style and melodrama have seen him banished. It’s time for a return to favour. Few writers have managed more fully than Stacton to bear out Gore Vidal’s maxim that writers shouldn’t ‘write what they know’ but, rather, what they imagine or suspect.’… and yet, Stacton himself can be seen to hide in plain sight behind everything he wrote.” The Guardian (London)

“His prose reveals great cultural depth and breadth. He uses language lovingly. Almost every sentence contains a striking metaphor or simile. Aphorisms sparkle from paragraph to paragraph.” Fort Worth Star-Telegram

“David Stacton is a major writer who has the approval of critics but so far lacks the consent of readers at large. In short, it’s the story of literary virtue unrewarded…his novels are enjoyable as well as admirable.” Oakland Tribune

THE BAD GIRLS by Bud Clifton (aka David Stacton)

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A brutal, startling novel that vividly captures all the yearnings, drama and tragedy of two girls gone bad…innocent teenagers who defy society’s rules for a thrill…and end up on the main line to the gutter.

Teens Allie and Janey leave their small town home for the glamor and excitement of the big city…and find the energy, the bustle, and the hard, neon glare of downtown irresistable. They end up at the Jickey Club, drawn by the hot-jazz-filled atmosphere and the hint of danger. They should have taken the hint…because they soon fall into the dark underworld of drugs and prostitution…and may not get out alive.

“Bud Clifton” was a pseudonym for David Derek Stacton (1923-1968), an acclaimed American poet and author, under various names, of literary fiction, historical novels, and soft-core gay porn. He was a two-time recipient of a Guggenheim Fellowship and also received a Literature Fellowship from the National Endowment for the Arts. His work ranged from lurid tales like D is for Delinquent to a non-fiction book about the fall of Constantinople. His books under his own name include The Bonapartes, The Judges of the Secret Order, A Signal Victory and People of the Book: A Novel of the Thirty Years War. He died in Denmark in 1968.

PRAISE FOR DAVID STACTON (aka BUD CLIFTON):

“A stylistic virtuoso, matching on the typewriter the lightning flashes of such musical masters as Paganini on the violin,” The Chicago Tribune

“John Banville comes to mind as an author who so easily switches gears from fustian to fetid…it is fascinating to watch Stacton working out in the noirs the kind of novelist he would become. From the beginning, Stacton is drawn to a certain kind of person, the kind who is the ‘victim of the propulsive force of his own character.'” Los Angeles Review of Books

“The prose of David Stacton is like that of no other writer. It suggests a corridor in a dark Gothic tower, ill-lit by tapers, at one end of which a gong sounds incessantly.”Time Magazine

“The most unjustly neglected American novelist of the post-war years, David Stacton’s ambitious high style and melodrama have seen him banished. It’s time for a return to favour. Few writers have managed more fully than Stacton to bear out Gore Vidal’s maxim that writers shouldn’t ‘write what they know’ but, rather, what they imagine or suspect.’… and yet, Stacton himself can be seen to hide in plain sight behind everything he wrote.” The Guardian (London)

“His prose reveals great cultural depth and breadth. He uses language lovingly. Almost every sentence contains a striking metaphor or simile. Aphorisms sparkle from paragraph to paragraph.” Fort Worth Star-Telegram

“David Stacton is a major writer who has the approval of critics but so far lacks the consent of readers at large. In short, it’s the story of literary virtue unrewarded…his novels are enjoyable as well as admirable.” Oakland Tribune

OBSESSED by March Hastings

Amazon

The impassioned story of a tormented woman, desperate for physical satisfaction of all kinds, seeking peace of mind, heart…and body.

A woman with an insatiable desire for sex seeks help from a psychiatrist… telling him her emotional story, hoping to end her unquenchable lust, find her true self, and live a normal life. But is it too late?

“March Hastings was the pen name of Sally Singer. Her works focused on the world of wealthy people and their psycho-sexual troubles. Her plots are convincing, style confident, characters unapologetically passionate yet believable, and dialogues top notch.” The Book Haven For The Retro Reader

“March Hastings” was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and the author of more than 130 novels. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

LESBIAN PULP FICTION 2: Four Lost Classics

Amazon

Four bold, lost classics by March Hastings, aka Sally M. Singer, that broke new ground in lesbian pulp fiction…and that have been out-of-print for nearly sixty years.

THE THIRD THEME
Sharon Porter is a single, Manhattan book editor in the midst of a turbulent affair with her boss. But at a writer’s party, Sharon meets Leda, a married woman who is fighting her true, sexual nature. They immediately feel a powerful attraction, one that can’t be denied. It’s tormented bliss. But then Leda’s husband discovers their affair. So the women run off to Sharon’s home town, desperate to experience their passionate moment in time, to explore the possibility of a different kind of life, love in “the third theme,” before the world falls down on them for indulging their forbidden desires…

CRACK-UP
Karen is a woman trapped in a marriage to an impotent man…who finds the passion she craves with other men…and in the willing arms of Jean, a married woman who can never be satisfied by any man. It is the story of Karen’s emotional and physical torment as she seeks what her body craves… and the love her soul needs.

THE DEMANDS OF THE FLESH
Ellen is a widow who pits the propriety of her social position against the awful torment of her desperate emotional and physical needs. For her, the demands of the flesh in particular have become overpowering. She enjoys physical satisfaction with the hedonist Raoul, but it leaves her feeling degraded. She gets comfort and sweet release with the lesbian Nita, and at least finds a tentative peace, but can she go on that way? Her answers may lie with Richard, a medic who helps lead her through the labrynth of emotional and sexual conflict that is threatening to tear her apart.

VEIL OF TORMENT
There’s the Ivy Sherwood the public knew: the actress, the glamorous, beautiful darling of the stage, living a storybook life of champagne and roses with her glittering future ahead of her. And then there’s Ivy off-stage, away from family and friends, prowling the streets, hardly recognizeable without make-up, her eyes shining with tension and craving, picking up any stranger, going into any dingy bedroom. She’s running furiously through her days, seeking escape, needing release, fighting the passionate demon which lives inside her, torturing her, wildly demanding more liquor, more men, more women, anything to sate her uncontrollable sexual desire.

This book was banned, deemed “unmailable” by the U.S. Postal Services, in 1960 and rated “indecent” in the U.S.A and Canada by the National Organization for Decent Literature. Now back in print for the first time in over sixty years.

ABOUT THE AUTHOR

“March Hastings” was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and the author of more than 130 novels, across many genres. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including The Outcasts, Three Woman, and By Flesh Alone. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks, diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

THE BEST PULP NOIR FICTION VOLUME SEVEN: Four Hardboiled Novels

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Four complete novels of raw, hard-boiled, pulp noir greatness by three masters of the genre, back-in-print for the first time in sixty years.

THE MURDER SPECIALIST by Bud Clifton * TWO DEATHS MUST DIE by Richard Himmel * THE CHEAT by Robert Dietrich * LET HIM GO HANG by Bud Clifton

THE MURDER SPECIALIST by Bud Clifton
Hal Williams is a specialist with one particular talent to sell: contract murders that appear to be accidents. He’s a professional who does his job with cool, calm, and calculated detachment…or so it seems. It’s all part of a long-term plan for ultimate revenge. But just when everything is coming together…he meets Unne, a mobster’s coldly sensual mistress, a kindred spirit with a dark, devastating secret of her own…and everything changes.

“A tight, lean, nasty little masterpiece of noir.. How is it possible a book this good, this timeless in its cruel brilliance, was unknown and out-of-print for so long? I loved it.” Lee Goldberg, #1 New York Times bestselling author

TWO DEATHS MUST DIE by Richard Himmel
A big movie star’s dark and sordid past in a stag movie comes back to haunt her — it’s up to two-fisted lawyer Johnny Maguire to keep it buried, without getting buried himself.

“Richard Himmel was an outstanding writer… likely to please readers of well-written hardboiled crime who are also comfortable with some romance and human drama in their stories.” The Paperback Warrior

THE CHEAT by Robert Dietrich
Robert Webster goes to Paris to find himself, and his creative soul, after doing hack-work as a Hollywood screenwriter. He finds Hildreath instead — rich, beautiful, dissolute, who fled to France to satisfy deep, carnal desires no American woman would dare admit to feeling. They begin an affair that’s comfortable and warm… until he makes a shocking discovery that reveals her raw, naked lust. There’s no love in what she’s doing. It’s coarse and cruel and undeniable…and it will shatter their lives.

“Dietrich knows his stuff and handles it well,” The Boston Globe

LET HIM GO HANG by Bud Clifton
An innocent man is tried for murder… and the real killer is on the jury.
“A stylistic virtuoso, matching on the typewriter the lightning flashes of such musical masters as Paganini on the violin,” The Chicago Tribune