This lesbian pulp classic was banned, deemed “unmailable” by the U.S. Postal Services, in 1960 and rated “indecent” in the U.S.A and Canada by the National Organization for Decent Literature. Now back in print for the first time in over sixty years.
Her blood raced, her body pulsed, her desire was a thing of madness.
There’s the Ivy Sherwood the public knew: the actress, the glamorous, beautiful darling of the stage, living a storybook life of champagne and roses with her glittering future ahead of her.
And then there’s Ivy off-stage, away from family and friends, prowling the streets, hardly recognizeable without make-up, her eyes shining with tension and craving, picking up any stranger, going into any dingy bedroom.
She’s running furiously through her days, seeking escape, needing release, fighting the passionate demon which lives inside her, torturing her, wildly demanding more liquor, more men, more women, anything to sate her uncontrollable sexual desire.
Also published as The Sherwood Scandal
“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released under her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.