LESBIAN PULP FICTION 3: Four Classic Novels

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Three lost, ground-breaking classics of lesbian pulp fiction, back in print for the first time in 60 years.

BY FLESH ALONE by March Hastings
This is the story of Lila, who has been married for some years…to a man who doesn’t seem to desire her. In frustration, and desperate for physical release, she leaves her husband, turning first to a woman who was once her lover. Her lesbian passions reawakened, she leaves her old lover and seeks new excitement, and a fullfilling relationship, with another woman, a bold, self-confident, moody painter. But to Lila’s surprise, despite her love and attraction to the passionate artist, she still feels a deep, emotional pull to her husband.

UNNATURAL by Sloane Britain
Allison loved Lydia. She loved her so much that sometimes she thought it was wrong. She felt that there must be something sinful about a love so strong it blotted out everything else. Lydia was Allison’s whole life… until one night, when she went to a wild, bohemian party and met Cal Staton. He certainly seemed interested… and everyone was always telling her to settle down… but Cal Staton was a man, and men had hurt her so much. Perhaps she would be better off staying with Lydia, who turned the world away when she took her in her arms. Lydia, who could make her melt with a glance… and climb to the peaks of ecstasy with just a caress…

THE OUTCASTS by March Hastings
Two couples join for a weekend of escape from New York…a getaway that becomes a cauldron of boiling temptations that would ignite their long-buried desires and shatter their lives. It’s the story of Leigh Whitman, a rich, married woman who has everything a woman could desire…and yet aches to indulge her repressed, compulsive desires, aroused now by Jennie Dunbar…a emotionally-torn woman trapped in a decomposing marriage and who now finds herself yearning for a different kind of touch, a different kind of love…

OBSESSED by March Hastings
A woman with an insatiable desire for sex seeks help from a psychiatrist… telling him her emotional story, hoping to end her unquenchable lust, find her true self, and live a normal life. But is it too late?

“March Hastings was the pen name of Sally Singer. Her works focused on the world of wealthy people and their psycho-sexual troubles. Her plots are convincing, style confident, characters unapologetically passionate yet believable, and dialogues top notch.” The Book Haven For The Retro Reader

THE OUTCASTS by March Hastings
Two couples join for a weekend of escape from New York…a getaway that becomes a cauldron of boiling temptations that would ignite their long-buried desires and shatter their lives. It’s the story of Leigh Whitman, a rich, married woman who has everything a woman could desire…and yet aches to indulge her repressed, compulsive desires, aroused now by Jennie Dunbar…a emotionally-torn woman trapped in a decomposing marriage and who now finds herself yearning for a different kind of touch, a different kind of love…

BY FLESH ALONE by March Hastings

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Lila’s husband could not satisfy her so she rejected him – not for another man, but for a woman. A lesbian pulp classic, back in print for the first time in sixty years!

This is the story of Lila, who has been married for some years…to a man who doesn’t seem to desire her. In frustration, and desperate for physical release, she leaves her husband, turning first to a woman who was once her lover. Her lesbian passions reawakened, she leaves her old lover and seeks new excitement, and a fullfilling relationship, with another woman, a bold, self-confident, moody painter. But to Lila’s surprise, despite her love and attraction to the passionate artist, she still feels a deep, emotional pull to her husband.

This is a story of one woman’s struggle to find happiness, love, and her true expression of her sexuality… written in a time when lesbian relationships were considered unnatural and perverse.

ABOUT THE AUTHOR

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks..

THE THIRD THEME by March Hastings

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Rediscover this sizzling, emotionally powerful, lesbian pulp classic, scandalous in its day, back in print for the first time in nearly sixty years

Sharon Porter is a single, Manhattan book editor in the midst of a turbulent affair with her boss. But at a writer’s party, Sharon meets Leda, a married woman who is fighting her true, sexual nature. They immediately feel a powerful attraction, one that can’t be denied. It’s tormented bliss. But then Leda’s husband discovers their affair. So they run off to Sharon’s home town, desperate to experience their passionate moment in time, to explore the possibility of a different kind of life, before the world falls down on them for indulging their forbidden desires…

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

OBSESSED by March Hastings

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The impassioned story of a tormented woman, desperate for physical satisfaction of all kinds, seeking peace of mind, heart…and body.

A woman with an insatiable desire for sex seeks help from a psychiatrist… telling him her emotional story, hoping to end her unquenchable lust, find her true self, and live a normal life. But is it too late?

“March Hastings was the pen name of Sally Singer. Her works focused on the world of wealthy people and their psycho-sexual troubles. Her plots are convincing, style confident, characters unapologetically passionate yet believable, and dialogues top notch.” The Book Haven For The Retro Reader

“March Hastings” was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and the author of more than 130 novels. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

THE DEMANDS OF THE FLESH by March Hastings

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Ellen is a widow who pits the propriety of her social position against the awful torment of her desperate emotional and physical needs. For her, the demands of the flesh in particular have become overpowering. She enjoys physical satisfaction with the hedonist Raoul, but it leaves her feeling degraded. She gets comfort and sweet release with the lesbian Nita, and at least finds a tentative peace, but can she go on that way? Her answers may lie with Richard, a medic who helps lead her through the labrynth of emotional and sexual conflict that is threatening to tear her apart.

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released under the name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

THE CRACK-UP by March Hastings

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The torment of a woman, frustrated in marriage, torn between compassion and desire. A “banned” lesbian pulp classic, back-in-print for the first time in sixty years.

Karen is a woman trapped in a marriage to an impotent man…who finds the passion she craves with other men…and in the willing arms of Jean, a married woman who can never be satisfied by any man. It is the story of Karen’s emotional and physical torment as she seeks what her body craves… and the love her soul needs.

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released under her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

THE OUTCASTS by March Hastings

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An explosive novel that exposes the magnetic pull of forbidden lust

Two couples join for a weekend of escape from New York…a getaway that becomes a cauldron of boiling temptations that would ignite their long-buried desires and shatter their lives. It’s the story of Leigh Whitman, a rich, married woman who has everything a woman could desire…and yet aches to indulge her repressed, compulsive desires, aroused now by Jennie Dunbar…a emotionally-torn woman trapped in a decomposing marriage and who now finds herself yearning for a different kind of touch, a different kind of love…

“March Hastings” was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released under her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

VEIL OF TORMENT by March Hastings

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This lesbian pulp classic was banned, deemed “unmailable” by the U.S. Postal Services, in 1960 and rated “indecent” in the U.S.A and Canada by the National Organization for Decent Literature. Now back in print for the first time in over sixty years.

Her blood raced, her body pulsed, her desire was a thing of madness.

There’s the Ivy Sherwood the public knew: the actress, the glamorous, beautiful darling of the stage, living a storybook life of champagne and roses with her glittering future ahead of her.

And then there’s Ivy off-stage, away from family and friends, prowling the streets, hardly recognizeable without make-up, her eyes shining with tension and craving, picking up any stranger, going into any dingy bedroom.

She’s running furiously through her days, seeking escape, needing release, fighting the passionate demon which lives inside her, torturing her, wildly demanding more liquor, more men, more women, anything to sate her uncontrollable sexual desire.

Also published as The Sherwood Scandal

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released under her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

PURE PASSION: Four Full Novels

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Four daring, sizzling hot novels of searing passion, violent crime, and insatiable desire.

WHIP OF DESIRE * BORN TO BE MADE * THE LUSTING DRIVE * SWAMP NYMPH

WHIP OF DESIRE by March Hastings
Decades before Fifty Shades of Grey, there was Whip of Desire — the story of a woman with brutal needs no man could satisfy. Eve has beauty, talent and money, but deep within her is something wild that drives her to endure violence to satisfy her deepest, darkest, carnal needs.

BORN TO BE MADE by John Burton Thompson
Before EMMANUELLE, there was the story of Marvelle Martingale… a heart-stoppingly beautiful woman’s awakening of aching desire and her daring journey of carnal discovery as she explores every facet of her scorching sexuality in her quest for shattering, physical bliss and true love.

THE LUSTING DRIVE by Ovid Demaris
Guy Hill is a man on fire…who takes what he wants when he wants it. And what he lusts for is power, money…and women, lots of women. And the women lust for him, too, their desires inflamed by his raw need….and the violence that percolating inside him.

“Demaris’ narrative power plus copious doses of sex.” New York Times

SWAMP NYMPH by John Burton Thompson
Deep in the hot swamplands of the South, a desperate man on-the-run meets a woman of raw, natural beauty whose ravenous sexual desires could lead them both to sweet, ecstatic ruin.

WHIP OF DESIRE by March Hastings

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Eve is breath-taking. What it takes to satisfy her is also breath-taking. Decades before Fifty Shades of Grey, there was Whip of Desire — the story of a woman with brutal needs no man could satisfy. A scandalous classic, back in print for the first time in ndearly 60 years.

Eve has beauty, talent and money, but deep within her is something wild that drives her to endure violence to satisfy her deepest, darkest, carnal needs.

Now there is a new man in her life….who knows nothing of her dark passions. She tells him what she wants from him, what she needs from him, and when he refuses, what she wants him to watch someone else to do her…

“March Hastings was the pen name of Sally Singer — a reasonably well known erotic fiction writer. Her works focused on the world of wealthy people and their psycho-sexual troubles. Her plots are convincing, style confident, characters unapologetically passionate yet believable, and dialogues top notch.” The Book Haven For The Retro Reader

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.