WALK WITH EVIL by Robert Wilder – Coming Soon

A terrifying story of unrelenting suspense,back in print for the first time in over sixty years.

There is little chance of redemption in Redemption Cay, a Florida town where a million dollars in stolen cash was buried decades ago… and now a brutal mob boss, recently released after twenty years in prison, is coming to find it. But he’s not alone. A young reporter is also on the trail…but telling the story could jeopardize the life of the innocent woman he loves.

“The plot involves a scheme to recover some lost loot. It ends with lots of blood-letting and a gentle, but wry twist.” Chickasha Daily Express

Robert Wilder (1901-1974) was an ex-newspaper reporter whose blockbuster novels include as Written on the Wind and Flamingo Road,, which both became classic movies. Flamingo Road was also a hit play and was adapted into a short-lived, 1980s TV series.

FORCED GIGOLOS by Roe Richmond – Coming Soon

Men forced into being love slaves to sex-hungry women sounds like a male fantasy…but for Duke Morey, it was a living hell.

An ex-soldier’s search for his missing lover leads him to a house where men are forced into the sex trade as gigolos for desperate women, including a Detroit widow with uncontrollable desire, a suburban housewife avenging her faithless husband by acting out her rage in bed, a runaway from a boarding school, an artist who likes to do more than just paint nude men, and a psychologically-unhinged Latina who gets off on violence.

This 1960 pulp classic is back in print for the first time in 60 years…and decades as a hard-to-find, paperback rarity.

CRY ME A KILLER by Garrity

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A relentless, hard-boiled classic…back in print for the first time in 60 years.

Detective Sgt. Walter Patterson is one of the few cops in the dark, miserable, corrupt city who can’t be bought or scared off, who isn’t a puppet of ruthless mobster Vince Ballanca. But Patterson is in a worse hell. He’s in love with the fat mobster’s wife…and to take her away from Ballanca, and survive, he’ll have to become a killer.

“Garrity was one of several old army buddies and cronies of Mickey Spillane who slid into the writing game on Spillane’s coattails. Plenty of blood, guts and broads in the best Mike Hammer tradition.” Lee Server, The Encyclopedia of Pulp Writers

CIRCLE OF SIN by March Hastings

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To Sarine, sex was weapon, to be used whenever she wanted. 

Cabaret singer Sarine Duvall’s style and voice are sultry, sexy and magnetic…and it drives reasonable men wild with lust. That is Sarine’s power, and she knows how to wield it, using it to move to bigger and better New York clubs, and more attractive, possessive, and deadly men. No one wants her more than Paul, a married musician whose wife isn’t about to let him out of her matrimonial grip, and is willing to fight tooth and claw, lips and breasts, to keep him.  

A raw, sensual, classic of pulp fiction noir, back in print for the first time in over 60 years.

SO FAIR, SO EVIL by Paul Connolly

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So Fair, So Evil is a compelling, slowly-evolving story that combines adultery, lust and greed with a deep-seated insecurity. This combination is enthralling.” Paperback Warrior

Northerner Frank Sinclair marries into a rich, snobby Southern family that resents him…then he goes off to fight in the Korean War. He’s back on American shores when he learns that his wife, Dolly, has killed herself. He’s released a year later, a haunted man, and returns to Huntsville, convinced that his wife was murdered. His quest to prove it stirs up buried secrets and simmering hatred.

“An ambitious Southern Gothic and psychological thriller. Reminds me of Jim Thompson story….if written by William Faulkner.” Mostly Old Books and Rust Blog

Thomas Grey Wicker (1926-2011) was a reporter whose column “The Nation” ran in the New York Times from 1966 through 1992. He also wrote three classic crime-noir paperback originals for Fawcett Gold Medal under the pseudonym “Paul Connolly” — Get Out of Town (1951), Tears Are for Angels (1952) and So Far, So Evil (1955).

THE STUART JAMES READER

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Now, for the first time ever, three long-lost, relentlessly hard-boiled classics by noir master Stuart James are collected in one volume: Frisco Flat, Bucks County Report, and Judge Not My Sins.

“One way or another, all of his books are as strikingly memorable. Using words with manipulative skill, he paints portraits that are poignantly three-dimensional and compassionate. You’re about to experience the essential Stuart James.” David Spencer, from his extensive Afterword in this volume.

FRISCO FLAT
When his father is beaten-to-death, Korean War vet and ex-prize fighter Frankie Cargo returns to his home in the small, northern California waterfront town of Frisco Flat. Cargo has inherited his father’s fishing boat business and trouble from Sam Barlow, the vicious local cannery owner who rules the town with fear…and with the iron fist of the psychopathic and corrupt Sheriff. If that wasn’t bad enough, Barlow gets involved with the Sheriff’s lover, the voluptuous Tosca Sorrento, who wants more than any man can give. But Barlow won’t be pushed…and never backs down from a fight.

“Pretty darned good. Frisco Flat moves along well. The book is a little better written, a little more literary in places, than many of the hard-boiled novels from that era,” James Reasoner, Rough Edges

BUCKS COUNTY REPORT
The explosive, bestselling novel that lays bare the erotic frustrations of suburban couples in 1960s America with savage frankness and searing drama.

In the wake of the Masters & Johnson studies, exposing the surprising sex lives of Americans, came this fictional bestseller that explores what happens when a famous “sexologist” visits a small town to interview the idle wives of the rich and famous… sparking passions that have been ignored or suppressed, dramatically changing the lives of the residents.

JUDGE NOT MY SINS
The provocative story of a fierce, destructive affair… of a man who longs to love without restraint, to give up his wife and children to plunge himself into a consuming passion that threatens his world… and of a woman who is driven by desire, and tormented by the horrible knowledge that her voracious hungers will destroy the man she loves.

THE BAD GIRLS by Bud Clifton (aka David Stacton)

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A brutal, startling novel that vividly captures all the yearnings, drama and tragedy of two girls gone bad…innocent teenagers who defy society’s rules for a thrill…and end up on the main line to the gutter.

Teens Allie and Janey leave their small town home for the glamor and excitement of the big city…and find the energy, the bustle, and the hard, neon glare of downtown irresistable. They end up at the Jickey Club, drawn by the hot-jazz-filled atmosphere and the hint of danger. They should have taken the hint…because they soon fall into the dark underworld of drugs and prostitution…and may not get out alive.

“Bud Clifton” was a pseudonym for David Derek Stacton (1923-1968), an acclaimed American poet and author, under various names, of literary fiction, historical novels, and soft-core gay porn. He was a two-time recipient of a Guggenheim Fellowship and also received a Literature Fellowship from the National Endowment for the Arts. His work ranged from lurid tales like D is for Delinquent to a non-fiction book about the fall of Constantinople. His books under his own name include The Bonapartes, The Judges of the Secret Order, A Signal Victory and People of the Book: A Novel of the Thirty Years War. He died in Denmark in 1968.

PRAISE FOR DAVID STACTON (aka BUD CLIFTON):

“A stylistic virtuoso, matching on the typewriter the lightning flashes of such musical masters as Paganini on the violin,” The Chicago Tribune

“John Banville comes to mind as an author who so easily switches gears from fustian to fetid…it is fascinating to watch Stacton working out in the noirs the kind of novelist he would become. From the beginning, Stacton is drawn to a certain kind of person, the kind who is the ‘victim of the propulsive force of his own character.'” Los Angeles Review of Books

“The prose of David Stacton is like that of no other writer. It suggests a corridor in a dark Gothic tower, ill-lit by tapers, at one end of which a gong sounds incessantly.”Time Magazine

“The most unjustly neglected American novelist of the post-war years, David Stacton’s ambitious high style and melodrama have seen him banished. It’s time for a return to favour. Few writers have managed more fully than Stacton to bear out Gore Vidal’s maxim that writers shouldn’t ‘write what they know’ but, rather, what they imagine or suspect.’… and yet, Stacton himself can be seen to hide in plain sight behind everything he wrote.” The Guardian (London)

“His prose reveals great cultural depth and breadth. He uses language lovingly. Almost every sentence contains a striking metaphor or simile. Aphorisms sparkle from paragraph to paragraph.” Fort Worth Star-Telegram

“David Stacton is a major writer who has the approval of critics but so far lacks the consent of readers at large. In short, it’s the story of literary virtue unrewarded…his novels are enjoyable as well as admirable.” Oakland Tribune

THE LEDRU BAKER JR. READER: Four Full Novels

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Three unforgettable novels by noir master Ledru Baker Jr. in one volume

AND BE MY LOVE
The blockbuster, million copy bestseller in 1951, a beloved Gold Medal classic, is finally back-in-print to enthral a new generation with it’s raw, powerful description of a passionate love affair that had no limits. She belonged to one man…but she wanted another. They tried all the pleasures and they knew all the pain.

THE CHEATERS
A crime lord strong-arms Jack Griffith, a struggling musician, into spying on his wife Mardi, who he suspects is cheating on him…but things go very wrong when Jack falls for her himself.

This book was adapted into the 1990 Canadian TV movie Frame Up Blues aka Le Danse du Scorpion.

BRUTE MADNESS
Mark Mitchell is a playboy atomic rocket scientist who marries the wrong woman…and is betrayed in the worst possible way. He is quickly arrested, convicted of treason, and sentenced to life in prison. But that’s only the beginning of his nightmare in this lightning-fast, insanely unpredictable, brutal Cold War noir thriller.

THE BEST PULP NOIR FICTION VOLUME SIX: Four Hard-Boiled Novels

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Four complete novels of raw, hard-boiled, pulp noir greatness by four masters of the genre, back-in-print for the first time in sixty years.

THE HOODS TAKE OVER by Ovid Demaris * BEYOND DESIRE by Richard Himmel * FRISCO FLAT by Stuart James * BRUTE MADNESS by Ledru Baker, Jr.

THE HOODS TAKE OVER
The East Coast mob has moved to Los Angeles and nobody seems willing to stand up to their campaign of terror. But that changes when a young teacher out shopping for groceries witnesses a brutal mob murder, identifies the killers for the police, and is immediately targeted for death. It’s one ordinary man with integrity up against mobsters without a soul. He doesn’t stand a chance… or does he? This book was adapted into the 1958 movie Gang War starring Charles Bronson.

“This is the kind of novel the term ‘Noir’ was coined for..” NB Magazine UK

BEYOND DESIRE
Clarissa…in her arms, Peter achieved manhood. She taught him that to love too many women was to love none at all. He was obsessed with her, drugged by her warmth and willingness. By now, he was ready to kill himself and her if she refused him…

“Decidedly off-beat but nonetheless absorbing. Himmel makes a most unusual story convincing. He should rake’em in.” Pensacola News-Journal

FRISCO FLAT
When his father is beaten-to-death, Korean War vet and ex-prize fighter Frankie Cargo returns to his home in the small, northern California waterfront town of Frisco Flat. Cargo has inherited his father’s fishing boat business and trouble from Sam Barlow, the vicious local cannery owner who rules the town with fear…and with the iron fist of the psychopathic and corrupt Sheriff. If that wasn’t bad enough, Barlow gets involved with the Sheriff’s lover, the voluptuous Tosca Sorrento, who wants more than any man can give. But Barlow won’t be pushed…and never backs down from a fight.

“Pretty darned good. Frisco Flat moves along well. The book is a little better written, a little more literary in places, than many of the hard-boiled novels from that era,” James Reasoner, author of Texas Wind

BRUTE MADNESS
A wild, hard-boiled, pulp novel that will leave you breathless. Once the action starts, it doesn’t let up. Mark Mitchell is a playboy atomic rocket scientist who marries the wrong woman…and is betrayed in the worst possible way. He is quickly arrested, convicted of treason, and sentenced to life in prison. But that’s only the beginning of his nightmare in this lightning-fast, insanely unpredictable, brutal Cold War noir thriller. 

LET HIM GO HANG by Bud Clifton aka David Stacton

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A long-lost noir classic from an unknown master of the craft…a tragic, 1960s literary star hiding behind a pseudonym

The judge bangs his gavel. The murder trial is about to begin.  The defendant, Charles Adams is so scared, his knees are shaking..but If he knew how dire his situation really is, he’d be screaming. The defendant’s wife is wiggling with pleasure. She can’t want to see her husband hang. The dead girl’s parents are quaking with fury as they take their seats…they want Adams to die for what he did.  But things aren’t quite as they seem. Charles Adams is innocent. And doomed. Because the real killer is one of the jurors…and he’s certain what the verdict will be.

Bud Clifton was a pseudonym for David Derek Stacton (1923-1968), an acclaimed American poet and author, under various names, of literary fiction, historical novels, and soft-core gay porn. He died in Denmark in 1968.

“A stylistic virtuoso, matching on the typewriter the lightning flashes of such musical masters as Paganini on the violin,” The Chicago Tribune

“The most unjustly neglected American novelist of the post-war years.” The Guardian (London)

“John Banville comes to mind as an author who so easily switches gears from fustian to fetid. It is fascinating to watch Stacton working out in the noirs the kind of novelist he would become. From the beginning, Stacton is drawn to a certain kind of person, the kind who is the ‘victim of the propulsive force of his own character.'” Los Angeles Review of Books