BY FLESH ALONE by March Hastings

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Lila’s husband could not satisfy her so she rejected him – not for another man, but for a woman. A lesbian pulp classic, back in print for the first time in sixty years!

This is the story of Lila, who has been married for some years…to a man who doesn’t seem to desire her. In frustration, and desperate for physical release, she leaves her husband, turning first to a woman who was once her lover. Her lesbian passions reawakened, she leaves her old lover and seeks new excitement, and a fullfilling relationship, with another woman, a bold, self-confident, moody painter. But to Lila’s surprise, despite her love and attraction to the passionate artist, she still feels a deep, emotional pull to her husband.

This is a story of one woman’s struggle to find happiness, love, and her true expression of her sexuality… written in a time when lesbian relationships were considered unnatural and perverse.

ABOUT THE AUTHOR

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks..

THE THIRD THEME by March Hastings

Amazon.

Rediscover this sizzling, emotionally powerful, lesbian pulp classic, scandalous in its day, back in print for the first time in nearly sixty years

Sharon Porter is a single, Manhattan book editor in the midst of a turbulent affair with her boss. But at a writer’s party, Sharon meets Leda, a married woman who is fighting her true, sexual nature. They immediately feel a powerful attraction, one that can’t be denied. It’s tormented bliss. But then Leda’s husband discovers their affair. So they run off to Sharon’s home town, desperate to experience their passionate moment in time, to explore the possibility of a different kind of life, before the world falls down on them for indulging their forbidden desires…

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

OBSESSED by March Hastings

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The impassioned story of a tormented woman, desperate for physical satisfaction of all kinds, seeking peace of mind, heart…and body.

A woman with an insatiable desire for sex seeks help from a psychiatrist… telling him her emotional story, hoping to end her unquenchable lust, find her true self, and live a normal life. But is it too late?

“March Hastings was the pen name of Sally Singer. Her works focused on the world of wealthy people and their psycho-sexual troubles. Her plots are convincing, style confident, characters unapologetically passionate yet believable, and dialogues top notch.” The Book Haven For The Retro Reader

“March Hastings” was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and the author of more than 130 novels. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

LESBIAN PULP FICTION 2: Four Lost Classics

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Four bold, lost classics by March Hastings, aka Sally M. Singer, that broke new ground in lesbian pulp fiction…and that have been out-of-print for nearly sixty years.

THE THIRD THEME
Sharon Porter is a single, Manhattan book editor in the midst of a turbulent affair with her boss. But at a writer’s party, Sharon meets Leda, a married woman who is fighting her true, sexual nature. They immediately feel a powerful attraction, one that can’t be denied. It’s tormented bliss. But then Leda’s husband discovers their affair. So the women run off to Sharon’s home town, desperate to experience their passionate moment in time, to explore the possibility of a different kind of life, love in “the third theme,” before the world falls down on them for indulging their forbidden desires…

CRACK-UP
Karen is a woman trapped in a marriage to an impotent man…who finds the passion she craves with other men…and in the willing arms of Jean, a married woman who can never be satisfied by any man. It is the story of Karen’s emotional and physical torment as she seeks what her body craves… and the love her soul needs.

THE DEMANDS OF THE FLESH
Ellen is a widow who pits the propriety of her social position against the awful torment of her desperate emotional and physical needs. For her, the demands of the flesh in particular have become overpowering. She enjoys physical satisfaction with the hedonist Raoul, but it leaves her feeling degraded. She gets comfort and sweet release with the lesbian Nita, and at least finds a tentative peace, but can she go on that way? Her answers may lie with Richard, a medic who helps lead her through the labrynth of emotional and sexual conflict that is threatening to tear her apart.

VEIL OF TORMENT
There’s the Ivy Sherwood the public knew: the actress, the glamorous, beautiful darling of the stage, living a storybook life of champagne and roses with her glittering future ahead of her. And then there’s Ivy off-stage, away from family and friends, prowling the streets, hardly recognizeable without make-up, her eyes shining with tension and craving, picking up any stranger, going into any dingy bedroom. She’s running furiously through her days, seeking escape, needing release, fighting the passionate demon which lives inside her, torturing her, wildly demanding more liquor, more men, more women, anything to sate her uncontrollable sexual desire.

This book was banned, deemed “unmailable” by the U.S. Postal Services, in 1960 and rated “indecent” in the U.S.A and Canada by the National Organization for Decent Literature. Now back in print for the first time in over sixty years.

ABOUT THE AUTHOR

“March Hastings” was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and the author of more than 130 novels, across many genres. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including The Outcasts, Three Woman, and By Flesh Alone. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks, diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

THE DEMANDS OF THE FLESH by March Hastings

Amazon

Ellen is a widow who pits the propriety of her social position against the awful torment of her desperate emotional and physical needs. For her, the demands of the flesh in particular have become overpowering. She enjoys physical satisfaction with the hedonist Raoul, but it leaves her feeling degraded. She gets comfort and sweet release with the lesbian Nita, and at least finds a tentative peace, but can she go on that way? Her answers may lie with Richard, a medic who helps lead her through the labrynth of emotional and sexual conflict that is threatening to tear her apart.

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released under the name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

THE CRACK-UP by March Hastings

Amazon

The torment of a woman, frustrated in marriage, torn between compassion and desire. A “banned” lesbian pulp classic, back-in-print for the first time in sixty years.

Karen is a woman trapped in a marriage to an impotent man…who finds the passion she craves with other men…and in the willing arms of Jean, a married woman who can never be satisfied by any man. It is the story of Karen’s emotional and physical torment as she seeks what her body craves… and the love her soul needs.

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released under her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

THE OUTCASTS by March Hastings

Amazon

An explosive novel that exposes the magnetic pull of forbidden lust

Two couples join for a weekend of escape from New York…a getaway that becomes a cauldron of boiling temptations that would ignite their long-buried desires and shatter their lives. It’s the story of Leigh Whitman, a rich, married woman who has everything a woman could desire…and yet aches to indulge her repressed, compulsive desires, aroused now by Jennie Dunbar…a emotionally-torn woman trapped in a decomposing marriage and who now finds herself yearning for a different kind of touch, a different kind of love…

“March Hastings” was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released under her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

VEIL OF TORMENT by March Hastings

Amazon

This lesbian pulp classic was banned, deemed “unmailable” by the U.S. Postal Services, in 1960 and rated “indecent” in the U.S.A and Canada by the National Organization for Decent Literature. Now back in print for the first time in over sixty years.

Her blood raced, her body pulsed, her desire was a thing of madness.

There’s the Ivy Sherwood the public knew: the actress, the glamorous, beautiful darling of the stage, living a storybook life of champagne and roses with her glittering future ahead of her.

And then there’s Ivy off-stage, away from family and friends, prowling the streets, hardly recognizeable without make-up, her eyes shining with tension and craving, picking up any stranger, going into any dingy bedroom.

She’s running furiously through her days, seeking escape, needing release, fighting the passionate demon which lives inside her, torturing her, wildly demanding more liquor, more men, more women, anything to sate her uncontrollable sexual desire.

Also published as The Sherwood Scandal

“March Hastings,” at least initially, was one of the pseudonyms (along with Laura Duchamp, Viveca Ives, and Alden Stowe) of Sally M. Singer, a lesbian writer born in 1930s and reputedly the author of more than 130 novels, across many genres, in her lifetime. She is undoubtedly best-known for her string of ground-breaking, lesbian-themed, sexy pulp paperbacks in the 1950s and early 1960s, including Three Women, The Third Theme, Veil of Torment, and The Demands of the Flesh. She wrote many other sexy novels as Hastings, not all of them with a lesbian theme. However, by the late-60s/early 70s, the “March Hastings” pseudonym was co-opted by her publisher and became a house name for many different authors penning lurid paperbacks (one of them being prolific pulp author Len Levinson, whose first novel Private Sessions was released under her name), diluting and confusing her early legacy as an influential author of lesbian pulp and straight erotic fiction.

CARNIVAL GIRL by Max Gareth aka Stuart James

Amazon

A sensational story of sex and struggle set against the flaming background of a traveling carnival, where kind hearts clash with ruthless passions, and savage lust takes the place of love..

A pretty face, a love hungry body of nurturing beauty…Norma is young and green. Norma has fought to keep her virginiity since the age of twelve from the hands of her drunken, lustful stepfather. She flees from home and keeps going for three crazy days, heading west without money or clothes. She joins a traveling carnival and becomes their star performer, the sexy sensation of the show, the sensual woman every man wanted to possess and every woman wanted to be. But she’s swept up in a sweet, aching glorious storm of passion and pleasure that threatens to consume her…body and soul.

“Max Gareth” was the pseudonym of Stuart James, author of Bucks County Report and Frisco Flat, among other novels.

“A fast-moving, compelling tale that has a literate, well-written style and lots of interesting carnival background. A very readable, entertaining yarn. Clearly, Stuart James was a natural storyteller.” James Reasoner, author of more than 350 novels under various pseudonyms.

BUCKS COUNTY REPORT by Stuart James

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The explosive, bestselling novel that lays bare the erotic frustrations of suburban couples in 1960s America with savage frankness and searing drama.

In the wake of the Masters & Johnson studies, exposing the surprising sex lives of Americans, came this fictional bestseller that explores what happens when a famous “sexologist” visits a small town to interview the idle wives of the rich and famous… sparking passions that have been ignored or suppressed, dramatically changing the lives of the residents.

This book was republished in the early 1960s with the same title, but under the pseudonym “Irwin Wallach,” and later under the title The Devil’s Workshop, but once again under the Stuart James byline.