CRY ME A KILLER by Garrity

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A relentless, hard-boiled classic…back in print for the first time in 60 years.

Detective Sgt. Walter Patterson is one of the few cops in the dark, miserable, corrupt city who can’t be bought or scared off, who isn’t a puppet of ruthless mobster Vince Ballanca. But Patterson is in a worse hell. He’s in love with the fat mobster’s wife…and to take her away from Ballanca, and survive, he’ll have to become a killer.

“Garrity was one of several old army buddies and cronies of Mickey Spillane who slid into the writing game on Spillane’s coattails. Plenty of blood, guts and broads in the best Mike Hammer tradition.” Lee Server, The Encyclopedia of Pulp Writers

KISS OFF THE DEAD by Garrity

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They stripped him of his badge, framed him for murder, and tossed him into the middle of a gangland war.

Max Carey is a hard-nosed NYC cop who takes bribes to satisfy his wife’s expensive tastes. But when his corruption is exposed, and he’s thrown off the force, his wife leaves him and runs away. He spends several years chasing her down. When he finally finds her in Florida, she’s murdered and the crime is pinned on him by the underworld, who also send some killers to rub him out. Now Carey is out for bloody revenge and his own brand of tough justice.

“Garrity’s roughly-hewed writing style saves the day. The book is filled with action…but what Garrity does is make you feel it.” Mystery File​​​​​​​

“Very much in the Spillane vein. Carey is hardboiled and tough, the book is full of action.” Bill Crider, author of the bestselling Sheriff Dan Rhodes novels.

About the Author 

Garrity aka David J. Garrity aka David J. Gerrity (1923-1984) was in the Merchant Marines and, without giving up his day job, wrote his first two novels, Kiss Off the Dead and Cry Me a Killer, in a style and voice very similar to Mickey Spillane, his good friend and mentor. He wrote six more books over the years, including a crime novel based on a Spillane story and two ghost-written memoirs, one for a stripper and another for a private eye.

DEADHEAD by Charles Marquis Warren

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A long-lost, hard-boiled masterpiece..back in print for the first time in 70 years.

“Mr. Warren has mastered the hard-boiled, Dashiell Hammett style and keeps his story going colorfully in the violent Hollywood tradition.” Baltimore Evening Sun

Christmas Eve, 1949. A man wakes up dazed on the streets of Baltimore after suffering a beating that wipes away his memory…and becomes the target of vicious mobsters who are convinced he’s faking amnesia to hide a $300,000 secret. Now he’s on the run, fighting for his life, and searching for his past…leading to a stunning climax in a snowy, deserted amusement park on a cold, dark, winter night.

“A well-designed tale full of suspense, slugging, sousing and sex.” The Courier-Journal

“A rough and tough narrative,” Los Angeles Times

“The loss of memory theme has seldom been so believably handled and gets well below the surface,” Boston Globe

“Fresh, exciting and mysterious.” Cincinnati Inquirer

Charles Marquis Warren (December 16, 1912 – August 11, 1990) was a famous and incredibly prolific Hollywood writer, producer and director, primarily of westerns, whose many credits include the movies Mutiny on the Bounty, Streets of Laredo, Pony Express, Top Hat (starring Fred Astaire & Ginger Rogers) and Charro! (starring Elvis Presley). His television credits include writing and producing the early years of Gunsmoke, The Virginian, and Rawhide.

SO FAIR, SO EVIL by Paul Connolly

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So Fair, So Evil is a compelling, slowly-evolving story that combines adultery, lust and greed with a deep-seated insecurity. This combination is enthralling.” Paperback Warrior

Northerner Frank Sinclair marries into a rich, snobby Southern family that resents him…then he goes off to fight in the Korean War. He’s back on American shores when he learns that his wife, Dolly, has killed herself. He’s released a year later, a haunted man, and returns to Huntsville, convinced that his wife was murdered. His quest to prove it stirs up buried secrets and simmering hatred.

“An ambitious Southern Gothic and psychological thriller. Reminds me of Jim Thompson story….if written by William Faulkner.” Mostly Old Books and Rust Blog

Thomas Grey Wicker (1926-2011) was a reporter whose column “The Nation” ran in the New York Times from 1966 through 1992. He also wrote three classic crime-noir paperback originals for Fawcett Gold Medal under the pseudonym “Paul Connolly” — Get Out of Town (1951), Tears Are for Angels (1952) and So Far, So Evil (1955).

GANGSTER JAZZ by Tom Ardies

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An epic family saga of the jazz age, when bathtub gin flowed, flappers were everywhere, and organized crime ruled the streets

Greg Meister was a farm boy who went off to war…and when he came back, everything was different. He meets Tandy Crain, a rich girl gone bad, in a Harlem jazz club, and falls in love. Together, they build a family and an empire, their lives dangerously entwined with music, the stock market and a ruthless mobster named Al Capone. It was a love built on dreams in a country built on promise. But when that promise is violently broken, Greg and Tandy must fight for their family’s survival in a brutal new country.

Previously published under the title By Friends Betrayed under Ardie’s pseudonym “Richard O’Brien.”

THE STUART JAMES READER

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Now, for the first time ever, three long-lost, relentlessly hard-boiled classics by noir master Stuart James are collected in one volume: Frisco Flat, Bucks County Report, and Judge Not My Sins.

“One way or another, all of his books are as strikingly memorable. Using words with manipulative skill, he paints portraits that are poignantly three-dimensional and compassionate. You’re about to experience the essential Stuart James.” David Spencer, from his extensive Afterword in this volume.

FRISCO FLAT
When his father is beaten-to-death, Korean War vet and ex-prize fighter Frankie Cargo returns to his home in the small, northern California waterfront town of Frisco Flat. Cargo has inherited his father’s fishing boat business and trouble from Sam Barlow, the vicious local cannery owner who rules the town with fear…and with the iron fist of the psychopathic and corrupt Sheriff. If that wasn’t bad enough, Barlow gets involved with the Sheriff’s lover, the voluptuous Tosca Sorrento, who wants more than any man can give. But Barlow won’t be pushed…and never backs down from a fight.

“Pretty darned good. Frisco Flat moves along well. The book is a little better written, a little more literary in places, than many of the hard-boiled novels from that era,” James Reasoner, Rough Edges

BUCKS COUNTY REPORT
The explosive, bestselling novel that lays bare the erotic frustrations of suburban couples in 1960s America with savage frankness and searing drama.

In the wake of the Masters & Johnson studies, exposing the surprising sex lives of Americans, came this fictional bestseller that explores what happens when a famous “sexologist” visits a small town to interview the idle wives of the rich and famous… sparking passions that have been ignored or suppressed, dramatically changing the lives of the residents.

JUDGE NOT MY SINS
The provocative story of a fierce, destructive affair… of a man who longs to love without restraint, to give up his wife and children to plunge himself into a consuming passion that threatens his world… and of a woman who is driven by desire, and tormented by the horrible knowledge that her voracious hungers will destroy the man she loves.

BRANDED by A.C. Abbott

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“Grade A” New York Times

Rock Kendall is a wanted man, framed for killing a woman, and is intent on clearing his name while being pursued for the big bounty on his head. He has to find Ash Carlton, who committed the murder and has sent killers of his own after Rock to make sure the truth never comes out. Along the way, Rock helps a young, female rancher battling rustlers…which not only complicates his pursuit of vengeance but puts his life in even more danger.

“BRANDED is really hardboiled. Rock Kendall gets shot, stabbed, punched, kicked, and knocked out more than once in the course of this book, but he absorbs all that punishment and keeps coming back stubbornly for more as he tries to clear his name and avenge himself on the man who betrayed him. An excellent writer.” James Reasoner, Rough Edges Blog

“A.C. Abbott welded together drama, suspense and romance and came up with a different touch of cowboy stories that will captivate the reader to its entirety. The climax is the greatest of all western epics.” Lubbock Avalanche-Journal

“Seethes with strife and killing, BRANDED is a lively western, culls the villain in pages of swift-moving plot that involves woman-killing, cattle-rustling, and romance.” The Cedar Rapids Gazette

“If you like your books filled with roaring six-guns and continuous action, BRANDED will fill the bill.” Lansing State Journal

“A dramatically satisfying novel of western in cattle-land. Abbott’s prose has a sprightly quality that will satisfy the most discriminating reader. An interesting story, thrill-packed to the final page.” The Dispatch (Moline, Illinois)

ABOUT THE AUTHOR

A.C. Abbott was the pseudonym of Helen Abbott Meinzer, who wrote 70 stories for western pulps in the 1930s and 40s, and died in 1963 in her mid-forties. She only wrote two novels, WILD BLOOD and BRANDED, both of which have been reissued by Cutting Edge.

NAVARRO by Carse Boyd (aka David Stacton)

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“The characters are boldly drawn and interesting, and Boyd writes with real style. One of the best westerns of the year. ” Daily Oklahoman

In the mid-1800s, banditos swarmed into Arizona and Texas from Mexico, driven by the poverty and despair of a divided country, and terrorized homesteaders, ranchers and Indians, looting, burning, raping and killing. Navarro and his band were the worst of the banditos. No ranch, gringo or Indian was safe from his savage cruelty. But that changes when Navarro brutalizes and kills Sis Henshaw. Now her furious brothers are chasing after him, hell-bent on violent and total retribution….and Navarro is discovering what real terror feels like.

“For those who like them fast-moving and brutal. It’s excellent!” San Angelo Times

“Carse Boyd” was a pseudonym for David Derek Stacton (1923-1968), an acclaimed American poet and author, under various names, of literary fiction, historical novels, and soft-core gay porn. He was a two-time recipient of a Guggenheim Fellowship and also received a Literature Fellowship from the National Endowment for the Arts. His work ranged from lurid tales like D is for Delinquent to a non-fiction book about the fall of Constantinople. His books under his own name include The Bonapartes, The Judges of the Secret Order, A Signal Victory and People of the Book: A Novel of the Thirty Years War. He died in Denmark in 1968.

PRAISE FOR DAVID STACTON (aka CARSE BOYD):

“A stylistic virtuoso, matching on the typewriter the lightning flashes of such musical masters as Paganini on the violin,” The Chicago Tribune

“John Banville comes to mind as an author who so easily switches gears from fustian to fetid…it is fascinating to watch Stacton working out in the noirs the kind of novelist he would become. From the beginning, Stacton is drawn to a certain kind of person, the kind who is the ‘victim of the propulsive force of his own character.'” Los Angeles Review of Books

“The prose of David Stacton is like that of no other writer. It suggests a corridor in a dark Gothic tower, ill-lit by tapers, at one end of which a gong sounds incessantly.”Time Magazaine

“The most unjustly neglected American novelist of the post-war years, David Stacton’s ambitious high style and melodrama have seen him banished. It’s time for a return to favour. Few writers have managed more fully than Stacton to bear out Gore Vidal’s maxim that writers shouldn’t ‘write what they know’ but, rather, what they imagine or suspect.’… and yet, Stacton himself can be seen to hide in plain sight behind everything he wrote.” The Guardian (London)

“His prose reveals great cultural depth and breadth. He uses language lovingly. Almost every sentence contains a striking metaphor or simile. Aphorisms sparkle from paragraph to paragraph.” Fort Worth Star-Telegram

“David Stacton is a major writer who has the approval of critics but so far lacks the consent of readers at large. In short, it’s the story of literary virtue unrewarded…his novels are enjoyable as well as admirable.” Oakland Tribune

THE BAD GIRLS by Bud Clifton (aka David Stacton)

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A brutal, startling novel that vividly captures all the yearnings, drama and tragedy of two girls gone bad…innocent teenagers who defy society’s rules for a thrill…and end up on the main line to the gutter.

Teens Allie and Janey leave their small town home for the glamor and excitement of the big city…and find the energy, the bustle, and the hard, neon glare of downtown irresistable. They end up at the Jickey Club, drawn by the hot-jazz-filled atmosphere and the hint of danger. They should have taken the hint…because they soon fall into the dark underworld of drugs and prostitution…and may not get out alive.

“Bud Clifton” was a pseudonym for David Derek Stacton (1923-1968), an acclaimed American poet and author, under various names, of literary fiction, historical novels, and soft-core gay porn. He was a two-time recipient of a Guggenheim Fellowship and also received a Literature Fellowship from the National Endowment for the Arts. His work ranged from lurid tales like D is for Delinquent to a non-fiction book about the fall of Constantinople. His books under his own name include The Bonapartes, The Judges of the Secret Order, A Signal Victory and People of the Book: A Novel of the Thirty Years War. He died in Denmark in 1968.

PRAISE FOR DAVID STACTON (aka BUD CLIFTON):

“A stylistic virtuoso, matching on the typewriter the lightning flashes of such musical masters as Paganini on the violin,” The Chicago Tribune

“John Banville comes to mind as an author who so easily switches gears from fustian to fetid…it is fascinating to watch Stacton working out in the noirs the kind of novelist he would become. From the beginning, Stacton is drawn to a certain kind of person, the kind who is the ‘victim of the propulsive force of his own character.'” Los Angeles Review of Books

“The prose of David Stacton is like that of no other writer. It suggests a corridor in a dark Gothic tower, ill-lit by tapers, at one end of which a gong sounds incessantly.”Time Magazine

“The most unjustly neglected American novelist of the post-war years, David Stacton’s ambitious high style and melodrama have seen him banished. It’s time for a return to favour. Few writers have managed more fully than Stacton to bear out Gore Vidal’s maxim that writers shouldn’t ‘write what they know’ but, rather, what they imagine or suspect.’… and yet, Stacton himself can be seen to hide in plain sight behind everything he wrote.” The Guardian (London)

“His prose reveals great cultural depth and breadth. He uses language lovingly. Almost every sentence contains a striking metaphor or simile. Aphorisms sparkle from paragraph to paragraph.” Fort Worth Star-Telegram

“David Stacton is a major writer who has the approval of critics but so far lacks the consent of readers at large. In short, it’s the story of literary virtue unrewarded…his novels are enjoyable as well as admirable.” Oakland Tribune

CARNIVAL GIRL by Max Gareth aka Stuart James

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A sensational story of sex and struggle set against the flaming background of a traveling carnival, where kind hearts clash with ruthless passions, and savage lust takes the place of love..

A pretty face, a love hungry body of nurturing beauty…Norma is young and green. Norma has fought to keep her virginiity since the age of twelve from the hands of her drunken, lustful stepfather. She flees from home and keeps going for three crazy days, heading west without money or clothes. She joins a traveling carnival and becomes their star performer, the sexy sensation of the show, the sensual woman every man wanted to possess and every woman wanted to be. But she’s swept up in a sweet, aching glorious storm of passion and pleasure that threatens to consume her…body and soul.

“Max Gareth” was the pseudonym of Stuart James, author of Bucks County Report and Frisco Flat, among other novels.

“A fast-moving, compelling tale that has a literate, well-written style and lots of interesting carnival background. A very readable, entertaining yarn. Clearly, Stuart James was a natural storyteller.” James Reasoner, author of more than 350 novels under various pseudonyms.